Tag Archives: review

Washington DC’s Flasher Shine (Darkly) On Self-Titled EP

Flasher, S-T EP (Sister Polygon)

Members of Washington, DC's Flasher.

Members of Washington, DC’s Flasher.

Flasher are a three-piece project involving members of several current members of the new Washington, DC DiY scene (I’ll refrain from collapsing them all into the ‘punk’ category).  Their debut, self-titled EP for Sister Polygon records is a thrilling journey through a panoply of late 70s and early 80s indie sounds.

Goth, death rock, new wave.  Those willing to reduce these genres to Dippity-do’d hair, corpse paint and Tiger Beat pin-ups, whose bloated corpses are reanimated on throwback radio and by tribute bands, miss the point (we dig Rio as much as the next blog, but there was more to it than that).  This was (largely) meant to be music for an uncertain future and, at its best, the attendant razorwire nervousness underpinning much of the musical output reflected the feelings of anyone actually paying attention to what was going on in the world at the time.  Small wonder, then, in the current climate, that so many newer bands are turning to this brooding, greyscale music as a framing device.

Flasher nails that feeling of unease right from the off on opener, “Tense”, with its tightly coiled, nervily picked guitar lines and short stabs of siren-like synths, and doesn’t let go.  In fact, it’s quite difficult to tease out one particular track here, as the whole EP plays more like a series of movements than individual songs.  For a band who, according to a write-up in WAMU’s bandwidth.fm, are still settling on a sound, it’s remarkable the way their energies fuse, the feel and texture of the tracks seem fully realized.  Highly rec’d.

Flasher’s self-titled EP is out now, digitally and on cassette, through the band’s Bandcamp page. Sister Polygon Records will release it on vinyl November 18 – preorder your copy here.  The band is also on tour (dates below):

Oct. 24 – Quebec City, QC @ Le Cercle w/ White Lung

Oct. 25 – Ottawa, ON @ House of TARG w/ White Lung

Oct. 26 – Toronto, ON @ Lee’s Palace w/ White Lung

Oct. 27 – Chicago, IL @ Empty Bottle w/ White Lung

Dec. 7 – Philadelphia, PA @ PhilaMOCA w/ Swim Team

Dec. 8 – Allston, MA @ OBrien’s Pub w/ Swim Team

Dec. 9 – Washington, DC @ Black Cat w/ Swim Team

Dec. 10 – Queens, NY @ Knockdown Center w/ Parquet Courts

Highlights include: “Tense”, “Throw It Away”, “Destroy”

On “The Stooge”, CFM Delivers the Proto-Punk Goods

CFM, “The Stooge” (In the Red)

CFM is a four-piece band making good use of main dude Charles Moothart’s initials (Moothart is a frequent collaborator of Ty Segall’s, both on albums like Slaughterhouse and in side projects like Gøggs and Fuzz).  The group released its debut long-player, Still Life of Citrus and Slime, earlier this year, and is now back with a new EP, Homegrown Paranoia.  Recently shared track, “The Stooge”, offers a taste.

“The Stooge” is an open-faced, space-boogie jam sandwich, piled high with the taught, razor-sharp melodies and shag pile layers of fuzz you’d expect from a Segall co-conspirator.  Moothart’s voice has a bit of a keening, early Ozzy feel to it, particularly in the way he rounds out the tone on some of the lyrics.  Things begin to unravel around the 1:45 mark – clarion feedback changing the view through the tv eye of the track’s (almost) namesake; a completely deranged guitar solo feeding a full-fledged MC5-style riot goin’ on – and remains barely hinged through to the end, Moothart repeating the word “desperate”.

Homegrown Paranoia is due next month, from In the Red Recordings.  Credit to the excellent CLRVYNT mag for the tweet tip on this one – check out their write up on the band here, which includes upcoming tour dates (true story: I saw CFM open for Ty Segall and the Muggers in the spring; they’re well worth your hard earned).

Check the Snide Jangle of “Around the House”, by Chook Race

Members of Melbourne, Australia's Chook Race, at rest.

Members of Melbourne, Australia’s Chook Race, at rest.

Chook Race, Around the House (Tenth Court/Trouble In Mind, 9/2/2016)

Chook Race are a three-piece hailing from Melbourne, Australia (fun fact: “chook” is, according to my online sources, an Aussie slang term for a hen, a woman or the sound made to call the former).  Around the House is the band’s latest long-player, and it’s a fantastically catchy collection of sharp, lo-fi pop.

On Around the House, Chook Race channel the energies of 80s and early 90s purveyors of jangle pop, caustic lines delivered by vocalist/guitarist Matt Liveriadis – at times in ‘boy/girl’ harmony with drummer Carolyn Hawkins (who takes on lead vocal duties on several tracks) – ‘neath the glint of ringing guitar tones and vibrant drum and bass.  Liveriadis has the kind of deadpan voice which recalls folks like David Gedge and Eugene Kelly, perfect for withering lines like “sometimes, I get tired/oh and sometimes, I get sick/…of you” (“Sometimes”).  The tossed-off, charmingly ramshackle sonic touchstones are warmly familiar, and include bands like The Vaselines, The Clean, The Pastels.  Album highlight, “Lost the Ghost”, has a riff that kept pinging around in my brain until I decided it sounded like early REM – or maybe something by The Only Ones – I couldn’t decide; but I was too busy bopping along to care.  Standing on (sloped) shoulders they may be, but the tunes Chook Race create are undeniable and worthy of repeated listen.

Around the House is out now, courtesy of Tenth Court (in Australia, New Zealand and Japan) and Trouble In Mind (everywhere else) – or straight from the band on their Bandcamp page. Catch up with Chook Race (sorry) on fbook, on tour, and peep the indie pop aerobicise on disply in the video for lead track, “Hard to Clean”, (below).

Highlights include:  “Lost the Ghost”, “Sometimes”, “At Your Door”, “Hard to Clean”

“Negative Growth”, the New Album from Ex-Cult, Is a Must-Listen – You Must! Listen!

Ex-Cult, Negative Growth (In the Red, 9/23/2016)

We love Ex-Cult, so word of new music from them is always welcome.  In this case, that news comes in the form of a fantastic new album, “Negative Growth”.  Working again with producer Ty Segall (he worked on their self-titled debut, and Ex-Cult singer Chris Shaw fronts one of Segall’s many (many) side projects, Gøggs), the album powers and moves just like you want an Ex-Cult record to, but also showcases some newer tricks.

Previously shared tracks, “Attention Ritual” and “Let You In”, set the tone pre-release.  Both are furious reminders of the band’s punk/hardcore side, each swooping like a Crimson Ghost for the throat.  Shaw continues to possess some of the best punk pipes out there, his hoarse (read, not “hoarsely”) cries imbuing these new tracks with the same shadings of rage, confusion and angst as on earlier releases.

Where things get even more interesting is where the band stray a bit, rhythmically and vocally, from the punk foundation.  Lead track, “Mr. Investigator” begins with an almost Devo-like spazzy new wave beat – and if the title sounds, to you, like something from The Fall (and it does to us), listen to Shaw channeling Mark E. Smith in his intonation, particularly during the chorus.  “Dogs Roll In” (which also featured on the “Stick the Knife In” single) and “Panic In Pig Park” both feature a bit of cow-punk guitar twang, and the noise breakdown during the middle and end of the latter adds to the frantic tension.  “Hollywood Heatseeker” positively swings, while closer, “New Face On”, is a riotous conflagration of punk, no wave, death rock and just good ol’ noise in the tradition of bands like The Birthday Party, and includes a positively Stoogesian saxophone squawk, courtesy of Ty Segall Band member Mikal Cronin.  With Segall at the decks, the heavy superfuzz cream is turned to 11 – the only exception seemingly the snare, which snaps and spits insistently from underneath, like the shiny flecks in a piece of coal.

As with other Ex-Cult output, it’s as much about the energy as anything else – you can almost feel the band collapse on the studio floor at the end of each track.  It’s infectious, and it continues to make Ex-Cult one of the best bands out there today doing what they do.  Thrilling.

Negative Growth is out now, on In the Red.  Ex-Cult is on tour in the west/west coast of the US of A.  Check the dates here.

Highlights include:  “Let You In”, “Hollywood Heatseeker”, “New Face On”, “Panic In Pig Park”.

The Radio Dept. Return With “We Got Game”, from New Album “Running Out of Love”

The Radio Dept., “We Got Game” (Labrador Records, 10/7/2016)

Sweden’s The Radio Dept. have made a habit, over the years, of moving between jangly dream-pop and more clubby, synthesized vibes.  Where “This Repeated Sodomy”, a track released earlier this year, fell into the former category their latest, “We Got Game”, finds both feet firmly jacking in the latter.

“We Got Game”, with its lustrous synths and four-on-the-floor beat, is the sound of Kevin Saunderson (his Inner City project’s classic 1988 album, “Big Fun”, seems much in evidence from the opening bars) producing Technique or Fox Base Alpha.  Vocalist Johan Duncanson’s  quiet, world-weary voice belies the impatient tone of the lyrics – a rallying cry from the politically and socioeconomically disaffected, taking back from “the overfed” and dissatisfied with talk of a “middle ground” that is too often merely a code word for “maybe next year”.

“We Got Game” is released October 7, and will also feature on The Radio Dept.’s forthcoming long-player, “Running Out of Love”, due October 21 from Labrador (preorder here).  Follow along with the band’s doings on fbook and the twitt, and catch them in early 2017 on a (rare) tour that will hit the EU/UK in January and the North America beginning in February.

Listen to The Raveonettes’ “This Is Where It Ends”, the Latest Rave-Sound-of-the-Month

The Raveonettes, “This Is Where it Ends” (self-released, 9/30/2016)

“Sometimes things can take an unexpected nasty turn and then you gotta deal with it. You either learn from it or you don’t, such is life.”

According to a post on their fbook page, this quote describes the feelings behind “This Is Where It Ends”, the latest installment of The Raveonettes’ “Rave-Sound-of-the-Month” (described by the band as an “anti-album” project).

“This Is Where It Ends” is a short, moving psych ballad – and it had us from its opening, woozy carnival-like melody.  Spiritualized meets Suicide ‘round a bonfire on a beach, at dawn.  The break at around the 1:30 mark nails 50s ballad chord changes onto the orchestrated version of “Please Please Please Let Me Get What I Want” from Ferris Bueller’s Day Off.  It is absolutely gorgeous, and further cements The Raveonettes as easily the most vibrant of bands remaining from the vaunted rock resurrection of the early 2000s.  Rave on.

Check out the official lyric video, below, and subscribe to the Rave-Sound-of-the-Month (and listen to previous entries) on the band’s site.  In addition to fbook, you can also follow along with The Raveonettes on the twitt.

Enjoy the Hazy Bliss of “Seeing Is Forgetting”, by Bella Union Debutantes The Beat Escape

You? Who are you?!

You? Who are you?!

The Beat Escape, “Seeing Is Forgetting” (Bella Union)

The Beat Escape are a Montréal-based synth pop/electro duo, recently signed to the formidable (in a nice way) Bella Union.  “Seeing Is Forgetting” is their first single, and it’s a slow burning epic.

“Seeing” is blissfully hypnotic.  A caterpillar’s smoke trail of hushed vocal, melodic bass line, persistent, metronomic beat and analog synthesizer melody. Meditative lines – “looking to forget the time at hand/…underneath a spell of repetition/…hoping for a chance to understand/…waiting for the sun to reappear/…time away from home can give you shelter” – complete a dreamlike effect.  Something akin to Architecture & Morality-era OMD holding hands with The Orb while slow dancing with (fellow 80s-inspired new jacks) Lust for Youth.

“Seeing Is Forgetting” will be released as a 12” single by Bella Union on October 21 – pre-order your copy here.  The Beat Escape can be found on fbook and instagram.

Ride the Emotional Rollercoaster of “New Ways”, from CC Dust

CC Dust, “New Ways” (Night School (UK/Europe); Mystery Club (US))

The first breath of “New Ways”, b-side of the new single from Olympia’s CC Dust (VEXX’s Maryjane Dunphe and co-conspirator David Jaques), is a chilly one.  The duo’s follow-up to the stirring “Never Going to Die” (which we loved) proceeds along a rumbling, Joy Division-y bass line and a detached, whiplash-crack of a drum track – all portent.  Maryjane’s Lene Lovich-like croon speaks of waking in a “nuclear spring”, “bizarre fates”, a “crack in the self” – the feel of changes that could be the proverbial light at the end of the tunnel, or the oncoming train.

But then, the track slowly reveals itself to be of a more hopeful disposition, the mood lightening as Jaques’ bassline moves to a higher octave, pastoral synths enter and Dunphe sings of a return to the “old land”.  If “Die” was outwardly physical, “New Way” feels turned inward, more ruminative.  Chilly, perhaps, but there is space here wherein to to find warmth.  It’s an emotional rollercoaster, and I can’t wait to see where the band take us next.

The new single, “Shinkansen No.1/New Ways” is out October 7 in the UK and Europe on Night School.  In the US, Mystery? Club offers both a digital and cassette version.

“The Pressure”, Roxanne Clifford’s New Single As Patience, Is a New Wave-Inflected Jewel Box

The "Jewel Box", a cluster of stars in the Southern Cross - see what we did there?

The “Jewel Box”, a cluster of stars in the Southern Cross – see what we did there?

Patience, “The Pressure” (Night School, 9/30/2016)

Patience is the musical alter ego of Roxanne Clifford, formerly the lead singer of – amongst others – the underrated Veronica Falls.  Following on the spring release of debut single “The Church”, her new single is “The Pressure”, and it’s a glorious, new wave-inflected tune recalling Yaz(oo) and early Depeche Mode (think Speak and Spell).  So, basically Vince Clarke, I guess.

Whatever the source material, the song itself is a gem.  Starting with the sound of a receiver tuning – back to the future? (Ed:  ok, stop now) – Clifford’s lightly maudlin voice encourages an ardent former love (and/or, perhaps, herself) to “move on” from the past, while crystalline multi-layered vocal and synthesizer melodies punch shafts of light through the clouds.  It’s enough to make you want to stretch out and twirl ‘round, and it’s fantastic.

“The Pressure”, together with its b-side “Wait for You” (a Roky Erickson cover), is due September 30 on the excellent Night School Records (UK home of CC Dust).  Find out more about Patience here, here and, inevitably, there.  There’s also a great interview with Clifford over at Brooklyn Vegan that’s worth a read.

Listen to “The Bridge”, b/w “Blurry Images” by London’s Sauna Youth…Now! Do It, Already!

London's Sauna Youth

London’s Sauna Youth

Sauna Youth, “The Bridge/Blurry Images” (Upset the Rhythm, 1/15/2016)

Better late than never to touch upon this “new” (as of January) single from Sauna Youth, a four-piece out of London whose members also play in other bands we like, including Cold Pumas, Monotony and Primitive Parts.

A-side, “The Bridge”, is a blisteringly fun track, storming out of the gate with a guitar buzz that would sit nicely amidst gabba-neat c/o ‘77 punk , rougher Jam and “waster” Libertines.  B-side (and personal fave), “Blurry Images”, blends the wry, ‘cheeky chappy’ bounce of Modern Life Is Rubbish-era Blur with the starker, repetitive groove-based post-punk of bands like ESG and Delta 5, shout-sung lyrics challenging the listener’s perspective to achieve focus.  Something you can think, fight and groove to at the same time.

“The Bridge” features on new full length, Distractions, which is out now on Upset the Rhythm – so I guess I’d better get going on a review of that, too…oof.  While you await that with baited breath, follow along with Sauna Youth on fbook and the twitt, check out their other musical offerings on Bandcamp and catch them on one of their upcoming tour dates:

9.22.16 – Chicago, IL – The Owl – W/ Kyle Kaos
9.23.16 – Milwaukee, WI – High Dive – W/ Platinum Boys, Midnight Reruns
9.24.16 – Detroit , MI – UFO Factory – W/ Fire Retarded, Growwing Pains
9.25.16 – Cleveland, OH – Now That’s Class
10.1.16 – London, UK – Kamio – W/David West, Score, Middex, General Echo Soundsystem