Green/Blue, S-T (Slovenly)
A new band of old hands, Minneapolis (Janet voice)-based Green/Blue present a jagged kind of garage-pop on their self-titled debut. Initially a recording project featuring the guitar/vocal stylings of Jim Blaha (of The Blind Shake) – whose solo basement musings formed the bases for the album’s eleven tracks – and Annie Sparrows (of The Soviettes), the group is now a quartet, having added Danny Henry (drums, also of The Soviettes) and Hideo Takahashi (bass, of The Birthday Suits).
The album is a hodgepodge of familiar sounding styles, blended into something very immediate. According to a press release, the tracks on Green/Blue were born partially from Blaha’s “newfound love of lo-fi pop jangle” (namechecking The Chills), but Green/Blue’s handling of the sound feels similar to the way The Misfits approached late-night 50’s croon or The Jesus and Mary Chain worked with girl-group, surf and other 60’s pop. There’s certainly sugary tones to be found here, the band exhibiting a deft touch for catchy melodies – but the ear candy is often chased with cough syrup, Blaha’s whispery vocals and he and Sparrows’ dual scuzzed up axe attack providing more than a hint of menace to the romance alluded to in many of the lyrics. Highlights ‘Proto Caves’ and ‘Way Down’ throw off a kind of haunted nostalgia, the former sounding like a roughneck Everly Brothers demo in spots – a leather-clad sock hop leading to a fogged up rear window. It’s great how the band are able to infuse so much energy into the boogie chug of ‘That Face’, while the JAMC pyres blaze bright on the brilliant ‘Find a New World’. Qué bella.
Green/Blue is out now, courtesy of Slovenly Recordings. The band also have really rad shirt designs (see here), so hopefully if we’re ever allowed out of our houses again and Green/Blue tour, I’ll snatch one up.
Highlights include: ‘That Face’; ‘Proto Caves’; ‘At a Loss’; ‘Way Down’