Tag Archives: review

Review: Nao, February 15 ep

Nao, February 15 ep (Little Tokyo Recordings, 05/01/2015)

Sophomore release from the London-based singer/writer/producer, released on her own Little Tokyo Recordings label.

Nao is another in a line of new artists putting modern production touches over largely 80s-indebted r&b workouts.  Her voice, much like AlunaGeorge’s Aluna Francis, inhabits a perky, helium-fueled upper register – yes, there will be pitch shifting, but it doesn’t get too distracting.  While not a thundering, break the glass diva á la Mary J. or a soft, come hither crooner like Sade, her voice slinks in, around, and through a groove, still commanding attention through weight of charisma.

The arrangements here walk a fine line between the poppier, hook-laden dance music of AG and Disclosure and the more esoteric, narcotic r&b of artists like Kelela, SZA and Jessy Lanza.  There’s lots going on in these tracks including, notable to these two ears, the use of “natural” instrumentation in the mix (check the Sade-meets-Rick James bass line in “Golden”); more recently, the province of neo-soul revivalists. Each song clocks in at a very radio friendly run time, but there are open spaces throughout which leave room for interpretation – whether live or via remix – that make them more than merely ear candy.

Highlights include the transmogrified Zapp/Roger electrofunk (complete with what sounds like electric cowbell!) of “Inside/Outside” and the psychedelic soul of Prince-infused “Apple Cherry” (the name alone…).  For my money, though, the gold to mine from this particular vein is found in lighter tracks, including lovely ballad “It’s You” and, er, “Golden”.

The February 15 ep is available now on iTunes, and gets a vinyl release July 6, courtesy of Dummy Records.

Check out Nao on Facebook, her site and Soundcloud.

New Track: Taiwan Housing Project, Maintenance of An Application

Taiwan Housing Project, Maintenance of An Application (M’Ladys Records)

In a post-Memorial Day world, where ears often tune to vacuous pop paeans to partying, dancing, being hot for some girl, guy, Barbie robot, zombie sex god …there’s this sweet bit of dissonant, raucous, noisy relief from Philly’s Taiwan Housing Project.  A feel good hit for a different summer.

This is a gloriously disorienting, careening, mess of a song.  Peals of feedback screech, dive, swoop and swirl like so many banshees around the shouted vocals of Kilynn Lunsford, held together (just) by a steady, ominous rhythm – the aural equivalent of the psycho dude with the flesh mask and the power tool whose lurching, relentless pursuit is undeterred by gunshot, stabbing and/or burning.  Sweet dreams!

“Maintenance” is taken from a new EP, which gets a physical release July 28, courtesy the awesome (or, should i say, esteemed) M’lady’s Records out of Portland, OR – you can preorder a digital copy now on the label’s Bandcamp page (while you’re there, you can listen to another great, Sonic Youth-y track, “White Frosted”).

Go like the band on Facebook, and check out their other releases on Bandcamp.

Album Review: Cathode Ray Eyes, Eyes In the Melancholy Palm

Cathode Ray Eyes, Eyes In the Melancholy Palm (Cardinal Fuzz (UK); Captcha Records (US))

Dread.  The itchy, claustrophobic feeling of something terrible imminent; close; around the next corner.  It can be as universal as the looming spectre of time or as specific as a stalker.

Dread hangs heavy over Eyes In the Melancholy Palm by Cathode Ray Eyes, the one-man side project of Ryan Delgaudio from The Cult of Dom Keller (a Nottingham-based band I was not familiar with but, having listened to this album, am anxious to listen to).  Within, we have tales of grim reapers, dead whores, “drowning rats”, worlds on fire and places with “no beginning, middle or end”. Much like the dread in stories like Lovecraft’s At the Mountains of Madness, it is palpable but never quite comes into full focus – a slow-burn stressor, without resolution.  Is the evil real, or are we witness to the waking, post-traumatic nightmares of the protagonist?

Despite the Celtic Frost-summoning title, Eyes In the Melancholy Palm is psych rock par excellance.  Heavily distorted vocals leer from behind a gauzy curtain of drone-laden, looped guitars; narcotic splinters of gothic, ambient waves underneath:  Joy Division scoring 28 Days Later.  Expected reference points like Brian Jonestown Massacre and the darker side of Thirteenth Floor Elevators share time with The Cramps, Clinic, Spacemen 3, The Cure (I kept hearing shades of songs like “The Snakepit” and “Like Cocaktoos”), even Fad Gadget’s death disco.

While heavy (both metaphorically and literally), there are moments of bliss throughout – the resolution around the 2:40 mark of “Goodbye to Wonder”, the surf-reverb on “Drowning Rats” – finding another (friendly?) human face amidst the ruins.  It is also a rare record that actually get better, more fulfilling, as it slides along – the second half trilogy of “Goodbye To Wonder”, “1,000 Suns” and Wire-laden closer “Where There Is No Beginning, Middle or End” the most affecting on the record.  “Get me out of here/before I lose control” a most fitting lyrical coda to this collection.

Eyes In the Melancholy Palm is out June 1 on Cardinal Fuzz (UK) and Captcha Records (US).  Check out the band on their (his) Facebook page.  [Update:  the good folks at Cardinal Fuzz tell me the album is available starting tomorrow (May 20).]

Highlights include:  “1,000 Suns”, “Goodbye to Wonder”, “I Woke Up This Morning and the World Was on Fire”, “The Unsuccessful Resurrection of James Dean”.

New Track: Dot Dash, Rainclouds

Dot Dash, “Rainclouds” (The Beautiful Music)

 

This D.C.-based quartet has been releasing records since 2011 – though, in the interest of full disclosure, I must admit to having missed the boat on these guys up ’til now.

The lineup is packed full of D.C. scene muscle, featuring vets of acts such as Minor Threat, Government Issue, Youth Brigade, Swervedriver and Julie Ocean. “Rainclouds”, taken from new album Earthquakes and Tidal Waves – out now on The Beautiful Music – arrived in our inbox from the band themselves (THANKS!).

The song cleaves a channel between the punkier side of power-pop and the woozy, post-punk take on pop of mid-period Wire (the band’s name is taken from the title of a Wire song, though not one from that period).  Lead singer Terry Banks sounds…go with me…a bit like a two-faced Janus – one side Colin Newman; the other, Robyn Hitchcock – fronting first album Cheap Trick, The Records or Hoodoo Gurus, throwing kiss-offs to a friend ‘neath a perpetual dark cloud: “summer breezes dancing through the trees/and you can put, the blame on me/your concrete shoes are giving you the blues/I’m footloose and fancy free”.  Throw in some sweet falsetto and you’ve got the makings of a breezy, yet muscular track.  Can’t wait to listen to more from the band.

Check the band out on Facebook and/or Twitter.  Earthquakes and Tidal Waves is available on iTunes or via the band’s Bandcamp page.

New Music: No Joy, Everything New; Moon In My Mouth

No Joy, “Moon In My Mouth”; “Everything New” (Mexican Summer)

Montreal-based No Joy return with a track from the forthcoming long player, More Faithful.

Emerging from the bristled haze of their first two albums, these new tracks take a lighter touch.  The band’s debut, Ghost Blonde, was mixed by Sune Rose Wagner of the Raveonettes, and No Joy seem to be following a similar musical trajectory; with each release, layers of feedback and reverb squall have been scraped and peeled away like so much wallpaper, revealing a lighter, pop core beneath. Granted, this version of “pop” retains the narcotic swirl and sway of shoe gaze (think Lush, Pale Saints), dream pop, later period Cocteau Twins, Kiss Me, Kiss Me, Kiss Me and Disintegration-era The Cure, etc.

“Everything” is the more straight forward of the two, a hypnotic combination of looping drums and chiming guitar; vocalists Jasamine White-Gluz and Laura Lloyd caress their lines.  “Moon” features similarly ethereal vocals, this time juxtaposed against a counter tempo that makes the track list uneasily without, somehow, losing direction entirely; a languid guitar refrain holds things together.

When posting “Moon” on their Facebook page, the band said “it is not happy, it is not sad but what is it?” leaving the answer to the listener.  The question could easily be applied to both songs – each has a greyscale, melancholic quality, but is it a wistful look back upon past experience, or one tinged with regret?  As with many things, both seem apt.

More Faithful is due June 9, on Mexican Summer (US) and Arts & Crafts (Canada) – a link to a video teaser for the entire album is below.  No Joy is also on tour, starting in May – dates here.

https://youtu.be/kPeU5mMwgT8

Link

Review: Ex-Cult, Cigarette Machine EP

Ex-Cult, Cigarette Machine EP (2/17/15; Castle Face)

New from the Memphis, TN gang, wherein we find the band shifting gears with an ep chock full of cuts that will surely be in the running for “jam of the summer”, courtesy of your local Clear Channel, mind-control radio station.  Just kidding:  Cigarette Machine is a continuation of what Ex-Cult has been honing since their debut in 2012; all manner of punk goodness to soundtrack your next street fight.

For the label obsessives amongst you, the ep’s six tracks run the gamut from proto- to post-punk and even heavy psych, with a stray elbow here from post-Damaged Black Flag, riff-heavy west coast hardcore and even a cuff there from oi’s rhythmic chanting to round out the mix.  Chris Shaw channels Rollins with his propensity for placing emphasis on…The. Last. Word. Of. Every. Line – drummer Michael Peery and bassist Frank McLallen bring the hammer and nails for this well-stocked garage.  Bottom line: whatever the funk you wanna call it, it works.

On tour in May (dates below; taken from their fbook page) – check ‘em out live, and on their website.

May 8 DALLAS, TX @ THE FOUNDRY
May 9 AUSTIN, TX @TBA
May 10 EL PASO,TX @ MONARCH BAR
May 11 PHOENIX, AZ @ CRESCENT BALLROOM
May 12 SAN DIEGO, CA @ THE HIDEOUT
May 13 LOS ANGELES, CA @ THE SMELL
May 14 LOS ANGELES, CA @ SECRET RENDEZVOUS
May 16 SAN FRANCISCO, CA THE HEMLOCK
May 17 SANTA ROSA, CA @ TBA
May 18 EUREKA, CA @ TBA
May 20 PORTLAND, OR @ THE KNOW
May 21 SEATTLE, WA @ BLACK LODGE
May 22 BOISE, ID @ NEUROLOX
May 24 DENVER, CO @ THE HI DIVE
May 26 ST. LOUIS, MO @ THE JUICEBOX PLAYER’S PAD
June 9 MEMPHIS, TN @ HI-TONE W/ ICEAGE, LOW LIFE

New Track: Unknown Mortal Orchestra, Multi-Love

Unknown Mortal Orchestra, “Multi-Love” (Jagjaguwar)

While I’ve not always saluted the flag raised over modern purveyors of ‘70s AM mellow gold-inspired psychedelic pop, Portland, Oregon’s Unknown Mortal Orchestra has always felt a bit different.  The band’s music sounds both 8-track and FLAC; a mixing of ‘70s, white guy R&B/“easy” psych-pop with more modern beats and structures.

“Multi-Love” is a good example. A call and response between the two eras – Supertramp-style organ and groovy sitar cut short by breakbeat rhythms.  The cool, dispassionate robots of rhythm harshing your yellow-tinted memories of the polyester itch and chafe of a hot, wet American summer.  The production has the band (and, in particular, vocalist Ruban Nielson) less covered in dandelion fluff than on past recordings, Nielson’s keening falsetto slinking over lines like “she doesn’t want to be your man or woman/she wants to be your love” – ‘60s free love, ‘70s key parties, ‘80s androgyny or modern, online virtual physicality?  Why choose?

Taken from new album, Multi-Love, released May 26 on Jagjaguwar.  The band is also going on tour, starting in May – check out dates on their site or Facebook page.

New Track: Communions, Out Of My World

Communions, “Out Of My World” (Tough Love)

We here at thegrindinghalt previously sang the praises of Copenhagen’s Communions and their progression from insular post-punk to a larger, cinemascope take on ‘80s indie.  This new single is their most wide-eyed yet.

The title gives one a pretty good idea of what to expect.  I’ve no idea how old the members are, but this is the sound of crushing (noun and verb) love, in a way felt during a certain period of one’s life. Martin Rehof’s despaired vocalizing of lines like “you’re the queen of your scene/and I’m just watching through a screen” and “no boy or girl/has made me feel the same” runs thick with the salt water taffy (melo)drama of unrequited love/lust.  The largeness of the arrangement almost consumes the vocals, reflecting the wistful beauty of the strongest of emotions being left unspoken, or restrained within the four corners of one’s mind (or room); a love note labored over, but never sent.

The production is filled with ‘80s touchstones – from the shotgun reverb on the drums to the synthesized sheen over the guitars – and calls to mind everything from mid to late period The Smiths and The Cure, New Order at their more romantic, even OMD in their pomp.

An alternate Ducky’s theme from Pretty In Pink? Perhaps – maybe this one would’ve worked.

Taken from new, self titled EP, due June 1 in Europe and June 2 in the U.S. on Tough Love and in Japan on Big Love.

New Track: Makthaverskan, Witness

Makthaverskan, “Witness” (Luxury Gbg, 3/3/2015)

New single from this Gothenburg, Sweden-based group, whose excellent album from last year, II, provided a lesson in loud, strident, angst-ridden post-punk.

The band recently unveiled new tour single, “Witness” (backed by an instrumental, jazz noir take on II track, “No Mercy”).  While certainly not short on the kind of raw emotion which permeated II, this track feels less like a screamed series of diary entries.  The band goes long on the Siouxsie and the Banshees-inspired aspects of their sound – the song could almost pass for a lost b-side from the Hyaena sessions – and it totally works.  Swirling guitars and tribal, kinetic percussion are whipped into a frenzy by the matured (but not blunted) vocals of singer Maja Milner, a force of nature in the vein Mme. Sioux herself.

Check out the band on their Facebook page, and be sure to go see them as they tour in the US for the first time – some dates were changed due to visa issues, so be sure to check their page for the most recent itinerary.

New (To Me!) Band of the Day: Novella

Novella

Novella EP (Italian Beach Babes)

“The Things You Do”, “Land Gone”, “Sentences” (Synderlyn)

A novella is a literary form characterized more by what it isn’t than what it is; longer and more complex than a short story, but shorter and perhaps less complex than a novel (and great for book reports! – if memory serves).  Famous examples include:  The Little Prince, Metamorphosis, The Bridge of San Luis Rey, Animal Farm and A Clockwork Orange.

Novella is also a London-based five piece, with a penchant for both hazy, psychedelic and more dreamy, shoegaze inspired atmospherics What does the band have in common with the written work?  Probably not much but, according to Wikipedia, the word ‘novella’ is the feminine form of the Italian word ‘novello’, meaning ‘new’ and I recently heard the band for the first time – compelling connection, no?  In this interview (on the always great The Line of Best Fit), the band picked the name at random because it sounded both feminine and like a medication, so we’re all grasping here… on to the review, then.

The tracks on their debut, self-titled EP come enveloped in a Velvet-y cloak of droney reverb and distortion, shot through with sudden bursts of energy – particularly on songs like “He’s My Morning” – and overlaid with detached, laconic vocals of singer Hollie Warren.  On newer tracks, from their forthcoming debut full length, “Land” – out May 12 on Synderlyn Records – the production feels lighter, while retaining the psychedelic vibe.  Stand out tracks like “Land Gone” open brightly – the swirling rush of guitars (phasers and flangers!) and delicate harmonies invoking Lush and Döppelganger-era Curve, as well as newer bands like Toy, the last 30 seconds featuring a muscular, crash cymbal heavy rock out.  “Sentences”, another highlight, unfurls, at around the 1:30 mark, into a blissfully gorgeous kaleidoscopic soundscape.

Check out Novella on their Facebook page and website