Review: Pheeyownah, zero9zero9 EP

Pheeyownah, zero9zero9 EP (Labrador, 6/10/16)

Great new soul/r&b/pop from Pheeyownah, a Stockholm, Sweden-based singer and multi-instrumentalist.

She’s also an artist and dancer, and movement, atmosphere and expression is everywhere in evidence on her new ep, zero9zero9.  Synthesized melodies swirl and sway betwixt and between multi-tracked vocals and churning rhythms in a manner similar, in style and tone, to Fade to Mind crew standout Kelela and other modern soul artists like Sza.  Where those artists have a foot in both psychotropic “modern r&b” stylings and 80s/90s throwback rhythms (Janet Jackson, vocally, often seems a particular influence), Pheeyownah also folds in trip hop’s hypnotic, liquid soul and rhythmic ominousness – early Bjork (highlight “Mountain Peak, Sea Deep”, in particular, seems unearthed from a Nellie Hooper vault), bands like Massive Attack, GusGus and Lamb cast long shadows.

Be not afeared – this is a good thing.  Senses are worked overtime across the ep’s four tracks, while there’s even a hint of a dancefloor banger unfurling in the insistent closer, “Cold Black Deserts”.  Three of these tracks look to have been self-released previously on the Under the Dock ep, but have now been repackaged by fantastic Swedish label Labrador; hopefully, they’ll reach a wider audience.

zero9zero9 is out now.  Check out more about Pheeyownah on fbook and her site.  You can also find her prior, self-relead eps, on iTunes (“Pretty Lights”, from 2012’s City ep, is well worth a listen for a glimpse of a lighter side to her musical persona).

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