Monthly Archives: April 2019

New Music from Working Men’s Club, Dehd, Crumb and The Pretzels

Working Men’s Club, “Bad Blood” (Melodic)


“Todmorden-by-way-of-Europe” trio, Workingmens’ Club, released their debut 7” in February. ‘Bad Blood’ arrives with an almost “Maniac[al]” opening, adding scratchy guitars until developing into a full-blown early new wave/post-punk stomper. The talk-sung vocals, punctuated by energetic backing interjections reminds of Brix-period The Fall (and, somewhere, I kept hearing a bit of Thompson Twins?). There’s a bit more gloss on show here than your average post-punk but, fear not, there’s grit ‘neath the polished nails. “Be happy when the sun shines”, indeed.

‘Bad Blood’ is being repressed April 26, courtesy of Melodic Records The band is also touring soon, including as opener for the mighty Fat White Family – dates here. (Psst – the band’s guitarist, Julia Bardo, also has solo music out that is worth checking out, over at The Line of Best Fit).

Web: bcamp fbook twitt label

Dehd, “On My Side” (Fire Talk)

Chicago’s Dehd offer the latest taster from their forthcoming album, Water, with ‘On My Side’. A halcyon jangle underpins lyrics that feel like an open, possibly unsent, letter to someone missed – lines like “let me know/if you’re coming/back again” delivered with a mixture of wistfulness and detachment. The sedated feel is broken, here, with a wall-crumbling chorus from Emily Kempf, there with playful bass runs and elsewhere with a jittery, bent guitar solo. It’s lovely, reminding in spots of bands like Posse (RIP).

Based on this and previously shared, equally fab track, ‘Lucky’, Water – due May 10 from Fire Talk – is going to be one to covet. Dehd have a bunch of upcoming tour dates, which can be found here.

Web: site label bcamp insta

Crumb, “Nina” (self-released?)


Crumb are a four piece, formed in Boston (well, Medford) and now based in Brooklyn. “Nina” is the band’s latest, and presents us with a dreamy slice of psych-tinged indie pop that shows off the band’s gift for hazy, infectious melody. There’s a bit of a gallic tint (think Melodys Echo Chamber or Stereolab), paired with an r&b vibe that gives a throwback feel to the days when hip hop, trip hop and mellow jazz swam in the same waters. Lead singer/guitarist/writer Lila Ramani’s diaphanous vocals stitch it all together beautifully, at once above and dead center in the mix.

“Nina” is taken from Crumb’s debut album, Jinx, which is due June 14 and is now up for pre-order. Catch the band live on one of their upcoming dates.

Web: site bcamp fbook twitt insta

The Pretzels, “Kick it with K”


Hailing from Montréal, The Pretzels bring a twisted (Ed.: insert eye-roll emoji) take on proto/punk/garage in the form of ‘Kick it with K’. Flinging together bits of sassy, discomfiting punk, experimental noisiness and slightly-hinged rock (think Flipper, Dead Kennedys, early Butthole Surfers, Eighties Matchbox B-Line Disaster), the track is an apt aural accompaniment to the (presumably) titular anesthesis. Oh, and it suddenly left turns at the 1:40 mark into a long, doom metal-style outro for the remaining 2:30 or so… you’re welcome.

Brilliantly deranged. Must be amazing live – see for yourself if you’re near Quebec and let us know.

Web: fbook bcamp insta

List-palooza!

We’ve created a new list for these soggy days (and, really, any other kinds as well). Also, since we neglected to share our previous couple of lists here at the hq, taking care of that now. You can always find these, and more songs we like, on our facebook page and/or twitter feed!

Check Out ‘Poison Future’, from Montréal’s Protruders

Taken from Protruders’ discogs.com page.

Protruders, Poison Future (Feel It)


Protruders are a four-piece band of miscreants from Montréal, who have graced us with a slab of proto-punk goodness in the form of Poison Future, billed as the band’s ‘vinyl debut’ following several, self-released tapes.

Though hailing from the great white north™, you’d be excused if the album’s seven tracks had your mind wandering firmly towards the midwestern US and its many punk forefathers who embraced the weird. Poison Future is, throughout, shot through with late-Stooges/early Iggy glam-sludge stompers and more experimental sounding Electric Eels garage skronk. The vocals remind a bit of Richard Hell, at times, as maniacal saxomophone punctuates jittery rhythm changes. ‘No Stone’ marries Dead Boys sleaze with Kid Congo cheek, while other numbers deconstruct into long-form jam wig-out sessions. It’s a glorious greasy mess of a record – and highly recommended.

Poison Future is out now, courtesy of Feel It. The band have a few shows upcoming in Canada, with the label promising US midwest and east coast dates soon – find those dates here (scroll down a bit).

Highlights include: “No Stone”; “Tax 101”; “Fruit Hang”.

Web: bcamp label