Tag Archives: trust punks

Wharf Cat Records Announces ACLU Benefit Compilation – Preview Two Tracks Now

ACLU Benefit Compliation (Wharf Cat)

Artwork by Emma Kohlmann

I often view compilation records in the same way I view most festivals – too often, you need to wade through so much flotsam to enjoy the treasure.  When the tracks on the compilation in question are culled from the roster of a label like Brooklyn-based Wharf Cat, however, they are well worth the effort.

Happily then, Wharf Cat recently announced the April 20 release of a compilation benefitting the ACLU ($30 from every $32 double-LP sold will go to the organization) — an ever-worthy cause, and no more so in these times of heightened, and increasingly naked, race baiting and attacks on civil rights under those tired dog whistles of ‘law and order’ and ‘national security’.  Or, as the label puts it, the “ongoing assault on the Constitution”.

The bands on offer include tgh favorites like The Men, Snakehole, Profligate, Trust Punks (represented by Joe’s new band, Cheerleader – can’t wait to hear that one) and Psychic Blood, as well as a host of other notable acts.  Wharf Cat has shared two tracks to whet your appetite (check them out, below):  the freewheeling ruminations of “Too Sensitive” by Dollar Band (featuring members of Gun Outfit) and the glistening psych-wave of “Hourglass”, courtesy of Alice Glass.

The ACLU Benefit Compilation is up for pre-order now, via bandcamp or the Wharf Cat site.

New Music: Trust Punks

Trust Punks, “Mother’s Veil”, “Leaving Room for the Lord”

Two new(ish) tracks from Auckland, New Zealand’s Trust Punks, each showcasing a different side of the band’s sound.

“Mother’s Veil”, released in November, shows a softer, wistful touch.  Narcotic, dreamy jangle psych-pop, reminiscent of the band’s Flying Nun countrymen, up through the quieter moments of Brian Jonestown Massacre and maybe even first album Shins.  Strummed guitars, an airy bassline and what sounds like tape hiss weave a lucid dream, sadly interrupted by the feedback alarm clock ending.  Heavenly.

Newer track, “Leaving Room for the Lord”, exudes a brasher, more dissonant and, er, “punker” sound.  Shades of early Killing Joke and PiL, plus some Jesus Lizard noise finds the band in a similar lane to Ireland’s Girl Band on this one.  Jagged, clamoring guitars, roiling drums and shouty vocals stagger and crash into each other drunkenly, setting a combative tone.  Satisfyingly brutish.

According to a post on the band’s fbook page, “Leaving Room” will feature on the band’s upcoming album, entitled “Double Blind”.  No further details at this time but, in the meantime, explore their earlier releases, including great 2014 release “Discipline”, on bandcamp.  Sadly, we missed that one first time ‘round, but are having fun playing catch up.