Tag Archives: post-punk

Washington DC’s Flasher Shine (Darkly) On Self-Titled EP

Flasher, S-T EP (Sister Polygon)

Members of Washington, DC's Flasher.

Members of Washington, DC’s Flasher.

Flasher are a three-piece project involving members of several current members of the new Washington, DC DiY scene (I’ll refrain from collapsing them all into the ‘punk’ category).  Their debut, self-titled EP for Sister Polygon records is a thrilling journey through a panoply of late 70s and early 80s indie sounds.

Goth, death rock, new wave.  Those willing to reduce these genres to Dippity-do’d hair, corpse paint and Tiger Beat pin-ups, whose bloated corpses are reanimated on throwback radio and by tribute bands, miss the point (we dig Rio as much as the next blog, but there was more to it than that).  This was (largely) meant to be music for an uncertain future and, at its best, the attendant razorwire nervousness underpinning much of the musical output reflected the feelings of anyone actually paying attention to what was going on in the world at the time.  Small wonder, then, in the current climate, that so many newer bands are turning to this brooding, greyscale music as a framing device.

Flasher nails that feeling of unease right from the off on opener, “Tense”, with its tightly coiled, nervily picked guitar lines and short stabs of siren-like synths, and doesn’t let go.  In fact, it’s quite difficult to tease out one particular track here, as the whole EP plays more like a series of movements than individual songs.  For a band who, according to a write-up in WAMU’s bandwidth.fm, are still settling on a sound, it’s remarkable the way their energies fuse, the feel and texture of the tracks seem fully realized.  Highly rec’d.

Flasher’s self-titled EP is out now, digitally and on cassette, through the band’s Bandcamp page. Sister Polygon Records will release it on vinyl November 18 – preorder your copy here.  The band is also on tour (dates below):

Oct. 24 – Quebec City, QC @ Le Cercle w/ White Lung

Oct. 25 – Ottawa, ON @ House of TARG w/ White Lung

Oct. 26 – Toronto, ON @ Lee’s Palace w/ White Lung

Oct. 27 – Chicago, IL @ Empty Bottle w/ White Lung

Dec. 7 – Philadelphia, PA @ PhilaMOCA w/ Swim Team

Dec. 8 – Allston, MA @ OBrien’s Pub w/ Swim Team

Dec. 9 – Washington, DC @ Black Cat w/ Swim Team

Dec. 10 – Queens, NY @ Knockdown Center w/ Parquet Courts

Highlights include: “Tense”, “Throw It Away”, “Destroy”

“Negative Growth”, the New Album from Ex-Cult, Is a Must-Listen – You Must! Listen!

Ex-Cult, Negative Growth (In the Red, 9/23/2016)

We love Ex-Cult, so word of new music from them is always welcome.  In this case, that news comes in the form of a fantastic new album, “Negative Growth”.  Working again with producer Ty Segall (he worked on their self-titled debut, and Ex-Cult singer Chris Shaw fronts one of Segall’s many (many) side projects, Gøggs), the album powers and moves just like you want an Ex-Cult record to, but also showcases some newer tricks.

Previously shared tracks, “Attention Ritual” and “Let You In”, set the tone pre-release.  Both are furious reminders of the band’s punk/hardcore side, each swooping like a Crimson Ghost for the throat.  Shaw continues to possess some of the best punk pipes out there, his hoarse (read, not “hoarsely”) cries imbuing these new tracks with the same shadings of rage, confusion and angst as on earlier releases.

Where things get even more interesting is where the band stray a bit, rhythmically and vocally, from the punk foundation.  Lead track, “Mr. Investigator” begins with an almost Devo-like spazzy new wave beat – and if the title sounds, to you, like something from The Fall (and it does to us), listen to Shaw channeling Mark E. Smith in his intonation, particularly during the chorus.  “Dogs Roll In” (which also featured on the “Stick the Knife In” single) and “Panic In Pig Park” both feature a bit of cow-punk guitar twang, and the noise breakdown during the middle and end of the latter adds to the frantic tension.  “Hollywood Heatseeker” positively swings, while closer, “New Face On”, is a riotous conflagration of punk, no wave, death rock and just good ol’ noise in the tradition of bands like The Birthday Party, and includes a positively Stoogesian saxophone squawk, courtesy of Ty Segall Band member Mikal Cronin.  With Segall at the decks, the heavy superfuzz cream is turned to 11 – the only exception seemingly the snare, which snaps and spits insistently from underneath, like the shiny flecks in a piece of coal.

As with other Ex-Cult output, it’s as much about the energy as anything else – you can almost feel the band collapse on the studio floor at the end of each track.  It’s infectious, and it continues to make Ex-Cult one of the best bands out there today doing what they do.  Thrilling.

Negative Growth is out now, on In the Red.  Ex-Cult is on tour in the west/west coast of the US of A.  Check the dates here.

Highlights include:  “Let You In”, “Hollywood Heatseeker”, “New Face On”, “Panic In Pig Park”.

Listen to “The Bridge”, b/w “Blurry Images” by London’s Sauna Youth…Now! Do It, Already!

London's Sauna Youth

London’s Sauna Youth

Sauna Youth, “The Bridge/Blurry Images” (Upset the Rhythm, 1/15/2016)

Better late than never to touch upon this “new” (as of January) single from Sauna Youth, a four-piece out of London whose members also play in other bands we like, including Cold Pumas, Monotony and Primitive Parts.

A-side, “The Bridge”, is a blisteringly fun track, storming out of the gate with a guitar buzz that would sit nicely amidst gabba-neat c/o ‘77 punk , rougher Jam and “waster” Libertines.  B-side (and personal fave), “Blurry Images”, blends the wry, ‘cheeky chappy’ bounce of Modern Life Is Rubbish-era Blur with the starker, repetitive groove-based post-punk of bands like ESG and Delta 5, shout-sung lyrics challenging the listener’s perspective to achieve focus.  Something you can think, fight and groove to at the same time.

“The Bridge” features on new full length, Distractions, which is out now on Upset the Rhythm – so I guess I’d better get going on a review of that, too…oof.  While you await that with baited breath, follow along with Sauna Youth on fbook and the twitt, check out their other musical offerings on Bandcamp and catch them on one of their upcoming tour dates:

9.22.16 – Chicago, IL – The Owl – W/ Kyle Kaos
9.23.16 – Milwaukee, WI – High Dive – W/ Platinum Boys, Midnight Reruns
9.24.16 – Detroit , MI – UFO Factory – W/ Fire Retarded, Growwing Pains
9.25.16 – Cleveland, OH – Now That’s Class
10.1.16 – London, UK – Kamio – W/David West, Score, Middex, General Echo Soundsystem

Listen to “Held”, the latest from Melbourne’s Lowtide, and Bliss Out

Lowtide, “Held” (Opposite Number)

We loved “Wedding Ring”, the first taster of the forthcoming debut album from Melbourne’s Lowtide.  Now, we’re hearing “Held” for the first time (the band shared the track back in 2014), and we’ve fallen in love all over again.  [Our thanks to the always great The Line of Best Fit blog for the initial introduction.]

Since we never got off our duff long enough to write about “Wedding Ring” when we first heard it a few months ago, let’s rectify that first. The track is truly massive, channeling the epic end of the shoegaze/dreampop spectrum – think later period Cocteau Twins (the phased guitars are charmingly Guthrie-esque) and bands like Pale Saints and Slowdive – with an uptempo groove and a bridge at the 1:40 mark that, if it doesn’t make you smile and/or tear up, you should seek immediate medical attention.

“Held” is no less grand, even while seemingly a bit less epic.  Wtf?, you may say.  Our explanation lies in the layers underneath the skyscraping boy/girl vocal tradeoffs. Where “Wedding Ring” started from a lush, shogazed underpinning, “Held” feels like the kind of anthemic, later period post-punk that wasn’t afraid to pin its heart to its denim jacketed sleeve – we’re thinking here of past greats like the brilliant Chameleons, Pink Turns Blue, and Brighter Than a Thousand Suns-era Killing Joke, on through to new bands like another thegrindinghalt fave, Communions.   The upper register is no less blissful, but the slow burning guitar and absolutely churning rhythms here provide a bit of cloud cover to an otherwise purely sun-dappled experience.

Opposite Number Records will release the band’s debut full length on August 5.  In the meantime, you can check out the band’s fbook, Bandcamp and SoundCloud pages for news and other music.

Check Out Boston Band Earth Heart’s Rollicking New Single, “Homesick”

Earth Heart, “Homesick” (self-released, 6/1/2016)

“Homesick” is a new release from Boston, MA’s Earth Heart.  A little bit surf, kinda post-punk, a wee bit C86, some part 90s indie – and it’s all good.  Opening with a chiming guitar and a great, rooted bass line that would make Interpol proud, the drums crash in and work up the lather into a full-on pogo party.  Guitarist/Vocalist Katie Coriander’s vocals are both assured and exuberant – in a way that (in true punk fashion) belies the underlying grit of lyrics like “I was so low/I was underground…right where I belong” – and recall (to these ears), folks like Poly Styrene, Clare Grogan (look them up, kids) on up to Karen O and even Maryjane from Vexx.

“Homesick” is the title track from the group’s forthcoming LP, due August 5 and self-released in cooperation with Planetary Group (per the band’s fbook page).  The track is available for purchase now on bandcamp, as is Earth Heart’s entire discography.

Review: Rakta, Intenção

Rakta, “Intenção”

We were first introduced to São Paolo’s Rakta via their excellent self-titled album from 2013, and we’ve been following them ever since.  “Intenção” is the a-side of their latest 7” single, and carries on where they left off with 2014’s “Tudo que é sólido” 7” and their 2015 Rakta em Transe project with fellow Brazilians Cadaver em Transe.

Where earlier cuts layered garage and psych elements over a punk bedrock, “Intenção” continues to push the psych and the goth to the fore, even adding touches of early industrial – you get a sense of the Banshees in their trippier days (think Join Hands or Juju), the “in your faceness” of bands like Birthday Party and Crass, as well as moody psych rock bands like 13th Floor Elevators.  The track opens with a heavy, foreboding bass line and chaotic peals of guitar over a steady, tribal beat.  The feeling is primal, the song lurching forward like some sort of colossus.  A war dance around the firelight, or in the cellar beneath a single, bare bulb.  Not meaning to give short shrift, b-side “A Busco do Circulo” sounds like Roky Erickson jamming with Lords of the New Church – so, also great.

Scary?  Exhilarating?  Why not both?  “Intenção” is out now on Dama da Noite Discos/Nada Nada Discos (BR) and Dê o Fora (ESP), and is also available for download through Rakta’s Bandcamp page.

You can also check the band on fbook where, amongst other exciting discoveries, comes news of a forthcoming LP on Iron Lung (US), Dama da Noite Discos/Nada Nada Discos (BR) and Dê o Fora (ESP).  As if that weren’t enough, there’s also tour dates in North America and Japan to look forward to this summer!

New Music: Primetime, Going Places EP

Primetime, “Going Places” EP (La Vida Es Un Mus, 5/16/2016)

Primetime are a four-piece punk band working out of Londontown.  “Going Places” is the second EP, following 2014’s self-titled endeavor.  Two word review: we likey.  Want more words?  Read on, then…

This is a seriously fun, poke in the eye of a record.  In the tradition of folks like Billy Childish (and related acts), Stiff Records artists like Wreckless Eric, The Slits and more recent artists like Nots and Nervous Twitch, Primetime sing deceptively simple songs about everyday concerns:  waking up/not wanting to wake up; relationships/not wanting to deal with relationships; being in control/feeling like you’re losing control; and pheromones, lots of pheromones.  It’s as deliriously snarky as it is insidiously catchy.

Highlights are many, but think fast, as the whole EP isn’t more than seven minutes long.  “Pervert”’s showcases a great, kind of inverted machismo, beginning with the line “if I’m a pervert/and you’re a stain on my dirty mind/…I want to tear off your shirt”, lead singer Claudia delivering a deadpan warning to an unnamed other that if he/she takes too long getting in da bed, she’ll “start without [you]”.  “Anyway” starts with a beat reminiscent of The Go-Go’s “Our Lips Are Sealed”, with lyrics describing being  distracted by someone while simultaneously not (wanting to) give a shit.  The bass/drum combo is rock solid, allowing the guitar room to move and the vocals to strut with a cheeky grin and a one-fingered salute (or two, depending on your locale).

“Going Places” is out now, via La Vida Es Un Mus – grab it now on the labels’ Bandcamp page.  More can be found about Primetime on fbook and the twit.

Album Review: Empty Markets, Stainless Steel

Empty Markets, Stainless Steel (12XU Austin, 4/8/2016)

Churning, relentless, fantastic new hardcore/punk from Austin, TX three piece, Empty Markets.

Stainless Steel marks the group’s debut, lead singer/guitarist Drew Schmitz having previously been involved in bands like Cruddy and Hex Dispensers.  While there’s definitely a whiff of the old school – “Pink and Barren World” sounds like an interpolation of “Teenagers from Mars”, and the sonic energy recalls past masters like Black Flag, The Offenders and Die Kreuzen – Empty Markets, like other newer bands like Ex-Cult and fellow Texans, Institute, incorporate noise, post-punk and post-hardcore (think Drive Like Jehu) ambience into the punk template, elevating it past d-beat rehash or mid-tempo, street punk boredom.

Front to back, this is one of the best new punk records I’ve heard in years (coming from a somewhat jaded, ‘old school’ – like, early 80s – h/c guy).  The arrangements, as well as the playing, are both muscular and extremely tight throughout.  Schmitz’s guitar playing is inspired.  The rhythm section of drummer Jordan Rivell and now former bassist Wendy Wright create crisp, sharp rhythmic blasts.  Wright (replaced, since the album’s recording, by Stephen Svacina) has a driving, out front bass style that recalls folks like Mikey Offender, and her vocal interplay with Schmitz is a consistent highlight.  Loud.  Sweaty.  Cathartic.  Recommended.

Stainless Steel is out now, on 12XU, and can be purchased via Empty Market’s bandcamp page or the label’s site. Find out more about the band on their fbook page.

Highlights include: “New Religion”, “Pink and Barren World”, “Rash Decision”, “Bulging Affidavits”.

New Music: Synthetic ID, Ciphers

Synthetic ID, “Ciphers” (Castle Face Records)

Synthetic ID are a band out of San Francisco, who have been releasing music since 2012, but are new to us.  Don’t know how we’ve missed them up ’til now.

“Ciphers” is a brilliant piece of spiky, funky post-punk, in the vein of Gang of Four and 154-era Wire, with a soupçon of Crass.  The track features a lurching, hypnotic bassline and angst-inducing guitar stabs; shouted vocals talk of searches and receipt of ciphers with “missing words”, incapable of translation and decoding – messages received but not trusted.  The peculiarly modern sensation of interconnectedness increasing isolation on our Big (Brother) Blue Marble – who’s real and what isn’t?  Fever dreams of electric sheep.

Synthetic ID’s debut, Impulses, is out April 22 on the consistently bodacious Castle Face Records. Check out the band’s earlier releases on their bandcamp page.

Review: Manhattan Love Suicides, Bikini Party/Birthday Kill 7″

The Manhattan Love Suicides, Bikini Party/Birthday Kill 7” (Odd Box Records, 1/15/2016)

We here at thegrindinghalt have been remiss in not expressing our joy at the return of Leeds, UK’s Manhattan Love Suicides, a band we loved during their first run; in particular, their eponymous 2006 debut and the follow-on extended single for “Kick It Back”.  The band’s new 7”, featuring a-side “Bikini Party/Birthday Kill”, comes hot on the heels of last summer’s excellent return album, More Heat! More Panic!

“Bikini” features paint-scraping peals of feedback and distortion o’er a whipcrack drum sound reminiscent of the JAMC.  Singer Caroline’s sneering vocals reply “unable to attend” (in a not-so-nice way) to the aforementioned party in favor of a “good birthday kill”. Emily Post would not approve. Emily Post can do one.

The very ‘80s hardcore-titled, composite b-side (so many slashes!) “Deserted Coastal Town/Action&Memory/What Am I Supposed To Do?” – think of it like the indie rock version of a German compound word – showcase different sides of the band.  The book ends here are both highlights:  ballad “Deserted” has bit of a Smiths vibe with its jangled chords and orchestrated chorus, while “What” is a delightfully short, sweet, fuzzy kick in the face.

The single is available now at the MLS bandcamp page, via Odd Box Records.  You can also check out the band here. Earlier releases can be found via Magic Marker Records and Squirrel Records – do yourself the favor.