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Here’s Some of Our Favorite Tracks of the Last Few Weeks

In the latest installment of thegrindinghalt.com‘s ongoing  series, “oh crap, we’re behind on a lot of writing”, please enjoy our musings on several of the tracks we’ve been loving these past few weeks (or so…stop judging!). F

Sink Ya Teeth, “Substitutes” (Hey Buffalo)

We love, love, love Sink Ya Teeth, the dynamic duo of Maria Uzor and Gemma Cullingford. “Substitutes”, their latest dancefloor megablast, is a cowbell- propulsed tour d’angleterre. Hypnotic vocals soar above Detroit techno ‘dugga dugga’ synths and a rough and rugged bass line that reminds a bit of Timezone. The 80s electrofunk influence paired with the insouciant cool of peak Ladytron. Taken from Sink Ya Teeth’s debut album on Hey Buffalo. Divine. De-lovely. Diva voce. 

Innocence Mission, “Green Bus” (Bella Union; Badman; P-Vine)

Taken from Sun on the Square, the most recent long-player from long-running dreamy folk-pop group the innocence mission, “Green Bus” is a beguiling new track. Karen Peris’ vocals play like dappled sunlight through an intricate canopy woven by heavily arpeggio’d guitars and lush strings; the overall effect spiritual. Absolutely lovely. Sun On the Square is out now on the veritable Bella Union, Badman Recording (US) and P-Vine Records (JP).

Free Love, “Synchronicity” (Full Ashram)

Free Love – the band formerly known as Happy Meals (we loved their 2014 debut, Apero, via 2016’s glorious Fruit Juice EP) – graced us with “Synchronicity”. Following a detour into trance-like meditiative music, the track – happily, not a The Police cover –  sees the duo of Rodden and Cook return to the wellspring of divine, club-friendly new wave/late disco/electric r&b. Rubber bass, squelched keys and breathy vox.  Out now on the band’s Full Ashram label.

Totally Mild, “Take Today” (Chapter Music)

“Take Today” features on Her, the latest release from Melbourne’s Totally Mild. Opening with the strummy charm of early Ocean Blue dreampop, vocalist Elizabeth Mitchell’s halcyon lilt incorporates a bit of a Gallic touch, bringing in hints of St. Etienne or the poppier side of Stereolab.  A warm embrace of a song, blooming into a veritable endorphin rush of a chorus. “Why wait for a slow decay/take today”. Her is out now on Chapter Music.

Oh Sees, “Overthrown” (Castle Face)

My youngest enjoys the components of a burrito, but not wrapped up together.  In a bougie/“we watch a lot of Cooking Channel so I can” reaction to this, we’ve come to refer to this dish as ‘deconstructed’. Queue hard segue to the latest track from John Dwyer’s mighty Oh Sees (f/k/a Thee Oh Sees), “Overthrown”. The track’s raucous, main portion slashes and burns like a deconstructed thrash opus – the parts are there (jigga-jigga guitar, intense vox pitched up to a scream), but freed from a traditional thrash metal tortilla, er, song structure by virtue of a swinging beat and shards of hazy psych. New album, Smote Reverser, was released last week, courtesy of Castle Face.

The Sueves, “Stare” (Goodbye Boozy)

The lastest from Chicago’s The Sueves, who never fail to disappoint. “Stare”, the a-side to new 7” on the Goodbye Boozy label, is another storming slice of razor-sharp, earworm-worthy garage/punk/rock ’n roll. Vocalist Joe Schorgl sounds a particularly incensed Bon Scott, strangled shouts over brutally downstrummed guitars and a watertight rhythm charge. It’s a fantastic follow on to the band’s spring ’18 full-length, R.I.P. Clearance Event.

Fröst, “Record Still Spinning” (Lost Room)

Fröst is the duo of vocalist Johanna Bramli (who also sang with Stereolab offshoot, Imitation Electric Piano) and Fujiya & Miyagi’s Steve Lewis. Taken from their debut long-player, Matters, “Record Still Spinning” is the first taste, and the influence of the principals’ other projects is evident. The heady mix of a steady, motorik beat augmented by urgent driving bass, minimal synths and breathy vocals call to mind the aforementioned bands, as well as Broadcast and Hooverphonic. Matters releases September 28, courtesy of Lost Room.

Exploded View, “Raven Raven” (Sacred Bones)

Exploded View is an intercontinental project comprising Annika Henderson, Hugo Quezada, and Martin Thulin. “Raven Raven”, taken from the group’s forthcoming sophomore release, Obey, is a vertiginous slab of shuddering, danceable (read: swaying) psych. The lyrical flow reminds a bit of Suicide’s “Cheree”, though here the watcher has become the watched, the titular bird sitting on Henderson’s shoulder, eyeing her ‘every move’. Obey is due for release September 28, courtesy of Sacred Bones. 

 

“Fast Silver” and “I’m Still Believing” – Two New, Early Christmas Presents from TOY

TOY, “Fast Silver”; “I’m Still Believing” (Heavenly)

Not one, but two, new tracks from the brilliant TOY released in the past few weeks – Christmas comes early!  “Fast Slilver” (released last month) and “I’m Still Believing” (released this week) will each feature on the band’s forthcoming long-player, Clear Shot, with “Believing” serving as the first official single.

TOY established themselves at the forefront of a group of bands fusing psych and shoegaze with their self-titled debut and 2013’s Join the Dots, creating alarmingly beautiful songs bathed in layers of reverb and propelled by a crisp rhythmic churn.  These new tracks suggest a bit of a blue-pencil job by the band on this sound – it’s cleaner; less pedal-driven.  Each feature brisk, sharp stabs of wistful, sonically vivid psych-pop, reminiscent of bands like Soft Boys, The Dream Syndicate, Split Enz and The Chills.  Both also even summon some 70s drivetime AM radio, with sweet three part harmonies and strummy guitar work (“Fast Silver”’s outro solo is Ventura highway worthy).  Singer Tom Dougall (brother of thegrindinghalt resident muse, Rose Elinor Dougall) channels Robyn Hitchcock, singing of feeling “unreal” and “perfectly out of time”.

Clear Shot is due October 28, via Heavenly.  On this evidence, it should be very good, indeed.  Check out TOY on fbook, the twitt, and their website.  The band also have some tour dates coming up in the UK and Europe – you can find those here.