Tag Archives: melbourne

Check Out “Octagon City”, from Melbourne’s Mystery Guest

Mystery Guest, Octagon City (Tenth Court)

Melbourne, AUS-based Mystery Guest recently put out one of our favorites of the year, so far, with their debut full-length. Starting with the current sitch-appropriate line “are you feeling stressed?”, the title track opener serves as a kind of starchild meets ‘1984’ informercial. For those pining for “the roundness of a circle, and the structure of a square – at the same time” here for your pleasure, ladies and gents, is Octagon City

Comprised of Patrick Telfer and Caitlyn Lesiuk, Mystery Guest make trippy, louche dance music with a decidedly downtown feel. Part of a continuum stretching back to the art damaged Lower East Side of the 70s, the jubilant DIY disco of a leftfield Factory Records signing, through bohemian dance like Deee-Lite and Luscious Jackson, and on to current arch-stylists like International Teachers of Pop, the album’s nine tracks groove, tease, and slap – all the while taking pleasure, from a distance, at the goofy grin forming on your face. 

Highlights are many. ‘Redeem’ has a sultry grooviness that calls to mind 80s r&b and The Style Council-esque mod pop. The back-to-back one-two of ‘Get Up’ and ‘Red Dance’ are slow motion bangers; the former adding hints of afropop to the arrangement, the latter riding a seriously elastic bassline.  ‘Mystery Party’ comes off as a sensual re-drawing of ‘Vogue’ – “lift your skirts/hertz by hertz” is one of the best dance floor commands of this or any year, and the track is currently tied with Too Free’s ‘Gold’ in our 2020 “best use of 808 cowbell” awards.  ‘Moon, Moon’ feels positively Roxy in its decayed romance – “our celestial bodies/making the waves/singing to drown/the church upon the knaves” (is that a hint of ‘Always, Forever’ at the one minute mark?).  All this groove is beautifully anchored by Lesiuk’s unflustered vocals.  Oozing charisma, I love the way she reshapes and stretches certain syllables, adding to the grandeur. 

Beguiling and a bit cheeky, Octagon City is very highly recommended. The shape of their love is an octagon – step on in.

Octagon City is out now, courtesy of Tenth Court.

Webfbook label bandcamp

Highlights include:  ‘Redeem’; ‘Moon, Moon’; ‘Get Up’; ‘The Day Lou Died’.

Listen to “Held”, the latest from Melbourne’s Lowtide, and Bliss Out

Lowtide, “Held” (Opposite Number)

We loved “Wedding Ring”, the first taster of the forthcoming debut album from Melbourne’s Lowtide.  Now, we’re hearing “Held” for the first time (the band shared the track back in 2014), and we’ve fallen in love all over again.  [Our thanks to the always great The Line of Best Fit blog for the initial introduction.]

Since we never got off our duff long enough to write about “Wedding Ring” when we first heard it a few months ago, let’s rectify that first. The track is truly massive, channeling the epic end of the shoegaze/dreampop spectrum – think later period Cocteau Twins (the phased guitars are charmingly Guthrie-esque) and bands like Pale Saints and Slowdive – with an uptempo groove and a bridge at the 1:40 mark that, if it doesn’t make you smile and/or tear up, you should seek immediate medical attention.

“Held” is no less grand, even while seemingly a bit less epic.  Wtf?, you may say.  Our explanation lies in the layers underneath the skyscraping boy/girl vocal tradeoffs. Where “Wedding Ring” started from a lush, shogazed underpinning, “Held” feels like the kind of anthemic, later period post-punk that wasn’t afraid to pin its heart to its denim jacketed sleeve – we’re thinking here of past greats like the brilliant Chameleons, Pink Turns Blue, and Brighter Than a Thousand Suns-era Killing Joke, on through to new bands like another thegrindinghalt fave, Communions.   The upper register is no less blissful, but the slow burning guitar and absolutely churning rhythms here provide a bit of cloud cover to an otherwise purely sun-dappled experience.

Opposite Number Records will release the band’s debut full length on August 5.  In the meantime, you can check out the band’s fbook, Bandcamp and SoundCloud pages for news and other music.