Tag Archives: castle face records

John Dwyer Returns as Damaged Bug with New Track, “Bog Dash”, and New Album, “Bunker Funk”

Damaged Bug, “Bog Dash” (Castle Face)

Damaged Bug, the solo alter ego of Thee Oh Sees’ front man John Dwyer, returns with the the wigged-out funk of “Bog Dash”.  It’s a dialogue over analog:  b-movie aliens setting their laser blasters to ‘stun’ as ‘devoidoffunk’ backup yelps are devoured in a haze of dial-up modem blurps, a ‘last splash’ bassline and funky drummer drum loops.  In the middle of it all, Dwyer’s voice slinks lascivious, spitting enigmatic couplets as the aliens form a Soul Train line.  This is surely the tune running through James Brown’s mind as he sped down that lonely highway (reference for the kids).

“Bog Dash” is taken from the forthcoming Damaged Bug release, “Bunker Funk”, due March 10 from Castle Face.  Check for more on fbook.

Album Review: Running, Wake Up Applauding

Running, Wake Up Applauding (Castle Face Records, 1/15/2016)

Blistering, relentless new long player from Chicago’s Running.

Building on 2013’s excellent Vaguely Ethnic and subsequent singles, Running return with another set of vertigo-inducing punk/psych/noise/drone/whateverit’sgoodsojustlisten.  Wake Up is a loud record that begs to be played loud:  layers upon layers of reverb and drone textures mix with the jagged shards of feedback; largely indecipherable, muzzled vocals at the center of the sonic maelstrom.  This is the soundtrack to a paranoid schizophrenic’s psychotic break,  careening blindly through dark alleys in search of respite from the voices, the shadowy figures emerging from formless shadows.  Tension, tension, tension.

The lightning ride manipulation of guitar feedback is even more up front than on past releases, like 2014’s Totally Fired.  The band’s sound still includes a fair bit of the scorched earth hardcore of early Black Flag and of more experimental bands like Flipper, as well as early doom metal (lots of circle pit bridges).  There’s also room for aggressive, PiL post-punk, spazzy noise a la bands like Scratch Acid, and even a bit of a ROIR tape Bad Brains vibe (particularly on “Fucktown Reality”).

The album art appears to be a cross-section of skin, with an arrow indicating “running” just beneath the surface of the derma.  Appropriate, somehow, for a record that burrows deep.

Wake Up Applauding is out now, on Castle Face Records.  Since it’s basically impossible to find much of anything about this band – they have a Soundcloud page, in addition to the bio page on the Castle Face website – here’s hoping for some advance notice when next they emerge from the lab and tour.

Highlights include:  “We Never Close”, “Fucktown Reality”, “Wake Up Applauding”, “Art Seen”, “No Wave Jose”.

Track Review: Feels, Bitched

Feels, “Bitched” (Lolipop Records)

Joyously rough-edged rock from new (to us, at least) LA-based band, Feels. “Bitched” is a compact, three minute burr of surf rock, ‘70s punk, garage and ‘90s groups like Sleater-Kinney or even Elastica.  The buzzy guitar and sweet ‘la la la’ and ‘whoa, oh h’ backing vocals stick in your brain and won’t let go – kinda like those weird worm thingys in that Star Trek movie (google it, kids), but in a good way.

“Bitched” is taken from a live lp, recorded last summer at LA studio, Gauchos Electronics, out now on the ever-fantastic Lolipop label – it’s been out since January, but only recently burbled to the surface of our Soundcloud stream (we’ll hit “refresh” faster next time; promise).

The band’s debut long-player will be released in spring, 2016 on the equally loveable Castle Face, with production by neu-garage (is that a thing?) hero, Ty Segall. Go forth and like them on the Facebook.

A Little House Cleaning, pt. 1

For my first post, I thought I would spend a few words discussing some of the music I’ve been enjoying over the past six months or so – music that, in a just world, would be all over the radio.  Think of this as the written equivalent of a “clip show”, if you will, but with ever so slightly more effort involved.

Jessy Lanza – Pull My Hair Back (Hyperdub, 9/9/2013)

Janet Jackson and Depeche Mode hanging together in the chill out room (they still have those, don’t they?).  Twenty-first century blue-eyed soul from the Great White North.  Whatever:  slinky percussion, whispery vocals and arrangements that unfurl over the course of a song.  Many 80s touchstones (the aforementioned Ms. Jackson (if you’re nasty), DM and Prince) abound, but don’t mistake for revisionism.  The moment at the 1:37 mark of “Giddy” makes me just that.  Highlights include:  “Giddy”, “Against the Wall”, “Strange Emotion”.

Out Cold – Invasion of Love (Heavenly Recordings, 9/17/2013)

Side project of Simon Aldred, lead singer for Cherry Ghost (a band worth investigating, if you’re not familiar).  Where his primary vehicle builds drama largely courtesy of lush arrangements, Out Cold accomplishes same through chilly synths and programmed beats.  Aldred’s warm, sometimes thin voice is pushed forward in the mix to great effect.  Dancier cuts like “Murder Black Corvette” and (personal favorite) “Sorrow” sit side by side with cooler fair such as “Fingers Through the Glass” and “All I Want”.  Highlights include:  Fingers Through the Glass, Sorrow.

Sampha – Dual ep (Young Turks, 7/29/2013)

Sampha’s voice is instantly recognizable – in a good way.  I first came across it through his work with SBTRKT and have followed it through collaborations with the likes of Jessie Ware (I drew the line at Drake).  Building from a base of voice and piano, the songs somehow manage to maintain their organic quality even when surrounded with electronic beats and embellishments (check the sound on “Demons” – always makes me check my phone for an incoming message when I hear it).  Highlights include:  all of it.

Running – Vaguely Ethnic (Castle Face Records, 8/6/2013)

Big, loud scuzzy rock and/or roll.  Guitars distorted and aggressive, vocals reverbed and, well, aggressive – tapping into a rich vein including early Black Flag, Electric Eels, Birthday Party; perhaps a soupçon of first album PiL.  Great album to:  pogo to, sit and eat Cheetos with, or clean the bathroom to – the world is your oyster.  Would love to check these guys live – the production gives a sense of the energy produced.  Highlights include:  “OoOo OoOo OoOooo”, “This is a You Problem”.

Youth Code – s/t (Dais Records, 8/13/2013)

LA duo carrying the torch for industrial music that proves something danceable can also pack a punch.  Rhythmically and sonically harkening back to early Wax Trax and bands like Skinny Puppy and Front 242 (to name just a couple), this breathes new life into a genre that – at least to these ears – became dominated by over the top, metal cock rockiness.  Vocals sound as though they are being screamed into a storm of the band’s own creation.  Highlights include:  “Carried Mask”, “What is the Answer”.